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17/11/2023 2:00 pm - 3:40 pm

The Merchant of Venice

The Merchant of Venice

by William Shakespeare
Directed by Alex Pearson

'If it will feed nothing else, it will feed my revenge.'

Set against the backdrop of modern-day working shipping docks, Antonia, a wealthy Merchant is desperately in need of funds. Her friend, Bassanio, needs a rich wife to clear his debts. Portia, a wealthy heiress, reduced to a prize for which men must gamble, seems to be the perfect solution.

Beneath the charmed surface, all are at risk, and everyone needs a win. As for Shylock, the despised and alienated moneylender? Is he the answer to Antonia’s prayers or will Shylock seek revenge against the community that has never accepted him?

And like Shakespeare we ask:
“How in an avaricious society can truth and justice be achieved if there is no love?”

The most recent production of The Merchant of Venice was at the Drayton Arms Theatre ran between 1 -19th October 2019 and was directed by Alex Pearson.

This dynamic, visceral modern-day adaptation, played to sold out audiences.  We focus on clear storytelling in a modern London setting, we take a fresh look at The Merchant of Venice, and its famous Jewish antagonist Shylock. By embracing the characters’ darker and lighter extremes, they emerge as greedy and morally grey, but real. We are concerned by the rise in anti-Semitic and other racist behaviour and we believe in the power of theatre to explore divisive social issues.

Related upcoming events

  • 05/10/2024 7:30 pm - 06/10/2024 9:30 pm

    Circle Mirror Transformation

    by Annie Baker

    London Bridge stabbings 2017. 8 dead, 48 injured, millions around the world affected.

    At these challenging times of war and fear, how do we choose to respond? A small group of people from different cultures, nationalities and gender identities, find their way through life in London and join a weekly community theatre class. Their lives intersect, their stories get vocalised, their secrets revealed, creating a microcosmos, allowing them to ignore the reality of atrocities in their city.

    A piece of meta-theatre where a group of actors take on the roles of participants in a theatre class to be ‘transformed’. What is our role as audience members, sitting outside of ‘their new reality’ looking at them ?

    A play about the power of community theatre on people’s lives.

    Reviews

    'Exciting Work", by Simon Jenner- Brighton Fringe 2024

     'This excellent Tríada Theatre production can only fulfil its magnificent potential. Pace will quicken, it might prove a definitive new reading'       
    'A Fringe must-see!"

    'Mesmerising Effect" by David Appleby - April 202

    'Not only were the individual performances strong but these five actors interacted superbly to produce a strong ensemble. The overall effect was mesmerising'
     'At the end of this play I felt uplifted'

    Cast (alphabetically):

    Edward Garcia as Leo           Fenia Gianni as Theresa          Winnie Ikediashi as Marty         John Newcombe as James     Jon Terry as Schultz

    About the Company

    tríada is a Greco-British theatre company tackling big social issues in small, intimate, diverse spaces founded in 2021. We create immersive performances that provoke thought and incite conversation by dealing with the truths of the human condition. Moreover, we specifically aim to create an environment where marginalised artists due to race, ethnicity, gender identity, ageism and disability can feel welcome and safe to come and create their work and connect within the local artistic community and people.

  • 10/10/2024 7:30 pm - 13/10/2024 9:00 pm

    Savage in Limbo by JP Shanley

    A stunning early piece of theatre with a touch of the surreal from Academy, Tony and Pulitzer Award winner JP Shanley.

    Set in a bar in his hometown of the Bronx, it is a deeply personal piece – visceral, funny and intelligent; a searing examination of what it means to be stuck in 'Limbo' and an exhortation to fight for the courage to break free.

    Using different aspects of himself, these discordant voices form the characters of the play, smelted with the people of his hometown of the Bronx. The “meatgrinder” as he calls it. The play is set in ‘Scales’ bar in the Bronx, 1984. It is period of extreme poverty, hopelessness, governmental distrust, racism, crime, and violence but also great passion, creativity, and community. The Bronx has burned for over a decade as those who could fled to safer boroughs as the inhumane process of ‘Redlining’ helped create exactly that for which it had been intended.

    Murk, the taciturn bar owner, stands silent vigil over the drunken, slumbering form of April White, a woman once committed to the cloth, as Denise Savage storms into the bar looking for a good night out to find...nothing. Her quest to find change begins as Linda, an old school acquaintance, enters sobbing about her man Tony leaving her to be with, in his own words, 'Ugly girls'. Tony soon follows her in and with Savage as the catalyst, the characters collide like balls on a pool table desperately seeking a way out of their own personal Limbo's.

    This is a play which speaks to almost all of us...a burning need to pursue our dreams and the search for meaning, identity, purpose. It serves as an examination of the chains that bind us but also the threads which connect us all...how we are all united by suffering and deep yearning: by the commonality of the human experience. Beyond this Shanley lays down the gauntlet to us as an audience…what are we going to do?

    In Shanley’s own words: “Well, what are you gonna do? The place is closing up soon. What are you gonna do with your life? Are you gonna have the guts to do what's in your heart to do? Or are you gonna narcotize yourself and wait for death? What are you gonna do? Last call."

  • 17/10/2024 7:30 pm - 20/10/2024 9:00 pm

    Savage in Limbo by JP Shanley

    A stunning early piece of theatre with a touch of the surreal from Academy, Tony and Pulitzer Award winner JP Shanley.

    Set in a bar in his hometown of the Bronx, it is a deeply personal piece – visceral, funny and intelligent; a searing examination of what it means to be stuck in 'Limbo' and an exhortation to fight for the courage to break free.

    Using different aspects of himself, these discordant voices form the characters of the play, smelted with the people of his hometown of the Bronx. The “meatgrinder” as he calls it. The play is set in ‘Scales’ bar in the Bronx, 1984. It is period of extreme poverty, hopelessness, governmental distrust, racism, crime, and violence but also great passion, creativity, and community. The Bronx has burned for over a decade as those who could fled to safer boroughs as the inhumane process of ‘Redlining’ helped create exactly that for which it had been intended.

    Murk, the taciturn bar owner, stands silent vigil over the drunken, slumbering form of April White, a woman once committed to the cloth, as Denise Savage storms into the bar looking for a good night out to find...nothing. Her quest to find change begins as Linda, an old school acquaintance, enters sobbing about her man Tony leaving her to be with, in his own words, 'Ugly girls'. Tony soon follows her in and with Savage as the catalyst, the characters collide like balls on a pool table desperately seeking a way out of their own personal Limbo's.

    This is a play which speaks to almost all of us...a burning need to pursue our dreams and the search for meaning, identity, purpose. It serves as an examination of the chains that bind us but also the threads which connect us all...how we are all united by suffering and deep yearning: by the commonality of the human experience. Beyond this Shanley lays down the gauntlet to us as an audience…what are we going to do?

    In Shanley’s own words: “Well, what are you gonna do? The place is closing up soon. What are you gonna do with your life? Are you gonna have the guts to do what's in your heart to do? Or are you gonna narcotize yourself and wait for death? What are you gonna do? Last call."

  • 01/11/2024 7:30 pm - 01/11/2024 8:40 pm

    A History of Horror

    CINEBRA presents A History of Horror by Alexander Joseph & Ro Robertson 

    The multi-international award winning sensation is back! 

    The year is 2016. Movie lovers Sophie & Megan invite to your their seminar on the history of horror cinema, according to them. After a vintage shopping trip with the most popular girl in college: Abigail Swanson, it becomes apparent that Megan has acquired a haunted necklace, and as the seminar progresses, a threatening supernatural force begins to rear its head. As Sophie & Megan’s own horror story begins to unravel, they wonder who will be The Final Girl?

    A multimedia frenzy featuring live scares and unforgettable songs, this unique hybrid horror musical comedy will leave you convulsing in terror and delight!

    “Melodies contagious as a George Romero zombie movie, lyrics as sharp as Freddie Krueger’s blades.”★★★★ Broadway Baby

    “Extremely clever, bringing in tropes from Scream, Carrie & The Exorcist.”★★★★ Planet Nation
    “Cleverly written and magically performed… You don’t need to like the horror genre to back in its glory.”★★★★½ The Reviews Hub
  • 02/12/2024 8:00 pm - 02/12/2024 9:30 pm

    ACT Foundation Closed Show

    Closed show for ACT Students and staff only.

  • 09/12/2024 8:00 pm - 09/12/2024 9:30 pm

    ACT Diploma YR1 Closed Show

    Closed show for ACT Students and staff only.

  • 12/12/2024 7:30 pm - 14/12/2024 9:30 pm

    Wolves Are Coming For You

    by Joel Horwood

    Set over one extraordinary day in an ordinary village, Wolves Are Coming For You explores just how much wild we're comfortable with, as a small community is forced to pull together against an invisible but potentially deadly threat.

    Someone has seen a wolf. Where did it come from? How many are there? Someone must be able to do something about them. Otherwise, how will our children get to school?

    Someone has seen a wolf! Or did they?

    As the story spreads through the town over the following 24 hours, each of the characters is forced to confront their own demons and decide whether to fight or flee. And as the sun rises the following day, each of them is different in some way from the person they were the day before. Whether the wolves actually existed, we’ll never know – but they’ve served their purpose nonetheless.