The Workplace

The Workplace

That Witch Helen

The face that launched a thousand ships finally gets to speak.

Meet Helen, before Troy, in this feminist retelling of the Ancient Greek epic. Witness her divine beginnings (yes, she did hatch from an egg!), her youth as a Spartan warrior, her fateful decision to leave her husband, and finally the decade of brutal war and destruction that follows.

That Witch Helen blends myth, movement, and storytelling to give Helen of Troy, one of history’s most hated women, a chance to tell her own story.

"What happens to all the clever little girls?"

Written and performed by Catie Ridewood. Directed by Janette Eddisford.

Karaoke at the S.U

What’s worse than bumping into a terrible one-night stand? Meeting in the abortion clinic is probably up there.

In this sharp dramatic-comedy, Lorna and Benji keep crossing paths as they try to navigate university culture, relationships and what it means to “be an adult”. Equal parts silly and melancholy, they try to answer the age old question: how much of your student loan could you pay off being on OnlyFans?

Not quite a rom-com, not quite a cabaret, ‘Karaoke at the SU’ fuses a story spanning decades with musical numbers and puppetry to create something that speaks to everyone’s inner child.

Be prepared for tears, bad dancing and too much WKD.

2 Queers in Tears?

This is not your regular love story.
Billy: “We should write a play about this”
Elliot: “God no babe, this is not for public viewing... ”

Join Billy & Elliot, two queer, emotionally constipated 30-somethings on their journey to becoming their authentic selves. Expect singing, dancing, therapy, 5-am bed talks and a whole lot of mooo-ing. Laugh and "cry" with them as they discover that platonic love conquers all.

RANK.

RANK A debut play from Goldie Majtas, Gemma and Jane couldn’t be closer, the type of friendship that could survive through anything, I mean anything. This absurd piece of dark comedy will take you on an unexpected journey through the lives of two twenty-somethings trying to sort their sh*t out. All starting at a taxi rank. Think Waiting for Godot meets Fleabag. Be prepared for explicit subject matters and dark themes in this fun, fresh piece of writing. Directed by Julia Mandler and staring Paige Cowell and Goldie Majtas.

Grania Dean Studio

Coffee After Therapy

Coffee After Therapy is an exciting new musical by award-winning writer/composer Matthew Knowles. It delves into the life of a recently-single woman, attempting to navigate relationships, careers and expectations in an ever-faster 21st century.

It is a story about loss, grief and change – and how we come out the other side.

This workshop production is staged by, and stars, Yorkshire-based director, choreographer and actor, Anita Adams, who is known for her inspiring work all over the country. It also includes a talented cast of singers, actors and musicians.

LOCUSTS by Ian Tucker-Bell & Garth McLean

Locusts is a poignant, moving, and humorous piece of new-writing that explores the impact of gay conversion therapy, and the challenges of coming out later in life. 

"........outstanding, understated, nuanced and profoundly touching." The Wee Review, Edinburgh Fringe

One Night Only so early booking advised for this 5 ***** show.
Age Suitability : 14yrs +

“Because whatever has happened to humanity, whatever is currently happening, it is happening to us all. No matter how far off the screams of pain and terror, we live in one world.” (Alice Walker) //
Premiere of an experimental play that takes for its structure the four parts of the Geneva Convention – Wounded & Sick / Maritime / Prisoners of War / Civilians – to tell an ancient/contemporary story of the random depravity of war and its existential / psychological impacts for those who are involved and those who are not.

The work grows out of an international collaboration between local writer/theatremaker Mark C. Hewitt and renowned Norwegian percussionist/composer Thomas Strønen. Stylised and kaleidoscopic, the fractured evolving narrative is performed by 4 actresses from 4 different countries, variously delivering lines in English, French, Polish and a smattering of other languages.

• “BRILLIANT. Thought-provoking, raw, provocative, multi-dimensional; use of music, space, silence ... the brave lack of ‘closure’ or conventional narrative.” (Audience feedback)

• “Loved the performance, the set and how it changed, likewise the music ...” (Audience feedback)

• “A really powerful provocative piece.” (Audience feedback)

Written & directed by Mark C. Hewitt. Performed by Marta Carvalho, Leann O'Kasi, Melissa Sirol, Maria Ziołkowska. Music by Thomas Strønen, performed and recorded by Time Is A Blind Guide. Technical design by Paul Phillips. Videography by Matt Parsons. Movement consultant: Miriam King.

“Because whatever has happened to humanity, whatever is currently happening, it is happening to us all. No matter how far off the screams of pain and terror, we live in one world.” (Alice Walker) //
Premiere of an experimental play that takes for its structure the four parts of the Geneva Convention – Wounded & Sick / Maritime / Prisoners of War / Civilians – to tell an ancient/contemporary story of the random depravity of war and its existential / psychological impacts for those who are involved and those who are not.

The work grows out of an international collaboration between local writer/theatremaker Mark C. Hewitt and renowned Norwegian percussionist/composer Thomas Strønen. Stylised and kaleidoscopic, the fractured evolving narrative is performed by 4 actresses from 4 different countries, variously delivering lines in English, French, Polish and a smattering of other languages.

• “BRILLIANT. Thought-provoking, raw, provocative, multi-dimensional; use of music, space, silence ... the brave lack of ‘closure’ or conventional narrative.” (Audience feedback)

• “Loved the performance, the set and how it changed, likewise the music ...” (Audience feedback)

• “A really powerful provocative piece.” (Audience feedback)

Written & directed by Mark C. Hewitt. Performed by Marta Carvalho, Leann O'Kasi, Melissa Sirol, Maria Ziołkowska. Music by Thomas Strønen, performed and recorded by Time Is A Blind Guide. Technical design by Paul Phillips. Videography by Matt Parsons. Movement consultant: Miriam King.